Bree Tranter’s EP – “Jaws”

25 February, 2014

It’s old news now (came out in September 2013), but in case you missed it, here’s some details at Gaga Digi, and here’s a link to the 5 track EP in iTunes.

You can also stream it here.


Joseph Liddy’s new single (and upcoming album release)

25 February, 2014

You can grab a preview of the song “Sandyman” here.

The following is straight from the press release:




out soon via Glenlivet-A-Gogh Records.

Former ring leader of Joseph Liddy & The
Skeleton Horse, Joseph “Liddy” Ireland swaps wild garage
blues of Jon Spencer/Tav Falco for the sweet
soulful seventies on his new track “Sandyman” the
first single off his forthcoming debut solo
record. Self-recorded by himself and then mastered
by Glenlivet-A-Gogh go-to masterer Owen Penglis
the record is unlike anything you’d expect from
2014. In between cycling and painting Ireland has
created a multi-colored trip partly inspired by
Prince-like soul, Seals and Croft- melodies,
Steely Dan-arrangements and Frank Zappa solos and
Motown madness. Filled with exciting sounds and
explosive unexpected surprises it sounds as if it
was recorded by someone who’d been stuck inside a
bunker since the seventies – or at least stuck
inside a room in Newtown for a few months
listening to nothing but the hits. The 9- track
debut will be available on vinyl/digital sometime
in April. Featuring backing vocals from his wife
and housemate – most recently Ireland produced and
played on long- time collaborator/another NQLD
penal colony inmate Nathan Roche’s debut solo
record “Watch It Wharf” – its not hard to tell
what mad man came up with the experimental noises
on that one. Never the less, Ireland goes all out
on his own this time around and it pays off big
time – “Sandyman” is a sandy taste-tester.

Launch tours w/Nathan Roche (releasing his
“Magnetic Memories 12”) around the country in

The Middle East t-shirt clearance

25 February, 2014

Spunk records needs to clear out the storeroom. Can you help them? Limited sizes. $10.

Here’s the direct link.

Via @spunk_records

Ps, does it actually mention the band’s name, or would that have been too mainstream? :P